I often approach a subject from a close-up perspective. As a result, the subject is only partially defined and stretches beyond the limits of the composition. This allows the viewer to focus on the abstract shapes within the forms, their reflections and shadows. In this way, my work can be described as a study of the concept of abstraction within representation. The subject is instantly recognized, but it is the play of light, colour and abstraction which add depth and excitement to the experience of the painting.